It is ultimately the story of a seductive eternal than to conquer a woman is capable of anything. And MARTIN BOSSI meets all and all enchants from the first minute of this big show that is coming to an end. Covered by an orchestra that sounds in the style of a classic Jazz Band with 15 musicians live a glamorous staging, dancers and singers with effective, and the musical direction of Manuel Wirzt, the show presents an exciting journey through the past 50 years music, television, advertising and theater. A nostalgic look to compare and understand what was lost when the wonder of the past. Of course the darkest of those other times, better ignore it.

Bossi displays his artistic fulfillment in this set of three pieces. In the first, in an excellent emulates the great icons of the history of jazz, rock and pop: Louis Armstrong, Ray Charles, Frank Sinatra, Elton John, Freddy Mercury, John Lennon, Rod Stewart, Michael Jackson, Axl Rose , among others. His born with artistic craft belonging to the genre of imitations, is validated in the large boot with a barrage of characters in an almost instantaneous transformation task between the two that is captivating and enigmatic.

However, it would mean limiting his show to mere imitations. Bossi boasts an arsenal of weapons arts (singer, actor, dancer, entertainer and frontman) that result in interpretations and sophisticated and very elegant compositions, where the professional efforts of a team of top shows. It is not easy to sustain two hours with vigorous dynamics in a very comprehensive work, but manages to be both consistent and highly productive: choreography designed by the talented Alejandro Lavallén; Manuel Wirzt directing an exquisite orchestra beating with passion; characterizations and impeccable make-Sapino Elena, along with masks and prosthetics Vanessa Giordano, doing so lifelike printed idols of those big body and voice of the versatile artist; supported by the book and the general direction of Emilio Tamer; a scenographic design great Daniel Feijoo, true to the elegance of the music hall. Ultimately, a display that magnifies the performance of this man four decades beyond its thousand faces on stage, certifies its authenticity as a passionate, talented and adored by his public artist.

Then, deliver a tribute to the great Argentine capocómicos, performing new compositions of Tato Bores, Pepe Biondi and Alberto Olmedo. They are perfect to impress the point of tears by those beloved artists portrayed as if they had come down from heaven to delight a while. It is the pearl of the show that illuminates the tender memory, a direct blow to the heart. Jorge "Carna" Crivelli, in the role of Javier Portales, impeccable revelation.

Graciela Borges makes her own a brief appearance on screen. Of course, both physical and emotional display needs some break, during which Manuel Wirtz try steps comedy parodying his own role as musical director to do lose some power in the context of the total intensity of the work, but never disappoints .

Although at times seems to be the point of overflowing in their transitions, Bossi takes over the stage with ease injecting supreme power. Play with his loyal emphasizes the intimacy and tenderness. Bossi is more melancholy and spiritual. Rescue the value of other good times. It makes us slow dance, kiss and hug. Yes, it is much more than a show of music, songs, impersonations and humor.

When the shift is a kind of stand up in which Bossi would note in his element, with all the condiments, with her ​​recipe for surround charisma comes. Play with the audience and becomes the accomplice neighborhood kid who was once in Lomas de Zamora. The monologues are clubs for everyone. There are ironies to some groups and genres they never knew creativity and poetry, as the slum cumbia and reggaeton. There is criticism of the tele-trash, no insight into the foibles and the overwhelming loneliness of the man behind the artist. Speak Love in the time of internet, and reviews courtesy and courtship manners that marked another era. Delves into the trunk of nostalgia. There Bossi leaves the vertigo and interpretive edges reveals vulnerability since trapping with the smooth power of words and gestures.

There is everything and everything is well done. A full, rich show, which is being finalized and should not be missed. For one thing, since its release in January this year, is one of the highest grossing of commercial theater. A mega show that, compared with their previous two, has evolved and consolidate MARTIN BOSSI as the new King of Calle Corrientes and one of the great artists argentinos.-

Traslation Belén Zapata